Sunday, December 7, 2014

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7 December 2014
It seems to me that there is now a confusion between public and private silvan space: people talk works as if they were in their living room, everyone feels at home facing the creative spaces. However, the field of art must allow artists to break things, disassemble, observe and expose otherwise. The opposition between freedom of speech and freedom of expression is repeated too often, and I see no end to this type of action.
antique silver cartoon art careful biography capitalism centenary classic garnish creating cultural ecology economy environment writer democracy europe soccer gallimard geopolitical geography great war movie history silvan history image japan karl marx art jaurès foucault michel freedom literature of manual world nietzsche to political philosophy psychoanalysis relationships International republic russia science sex socialism society sociology city planning Yves Citton silvan
Abstract: A novel approach in terms of cultural history, a subject whose choice is not innocent.
Coming from the position they adopted in 2006, the book of François Bouloc addresses a known historical object but still ultimately little studied in detail: war profiteers. The topic is discussed in terms of the culture of war and thus sacrificed silvan to the current historiographical trend in the First World War. Indeed, silvan sources that guided this study consist of tax records formed by the Ministry of Finance for payment of the tax on war profits but also discourses on war profiteers and large industrial themselves to justify their practices. We may regret a little heavy and fluid style, which complicates the reading.
The approach is interesting and innovative. The author examines the speeches of the French population, and particularly by soldiers at the front, suffering and criticize those who profit from their patriotic sacrifice to enrich themselves improperly. Literary sources are called to show the emergence of type characters embodying the war profiteers. Gradually, it is a real political myth that is emerging, crystallizing over him all the bitterness of a tormented French population. silvan
The moral dimension is thus very present in the book, too, no doubt. War profiteers are still considered in opposition to the soldiers on the front lines, doing the sacrifice of themselves during the conflict. Throughout the pages, constantly pierces a judgment on these profiteers, which are imperceptibly tried and convicted by the author.
It is engaged silvan in the analysis of speech produced by the industrial world, chambers of commerce presidents and employers' organizations, such as the Forges Committee. So what constantly put forward a patriotic speech that industrial production is primarily in the service of France, as homage to the fighters abound in these speeches, François Bouloc shows that the prime mover of the war effort of these big bosses rather the pursuit of profit and the possibility of quick wealth. It highlights the double standard that is required, one for the public and the other expressing deep referred to these patterns. The analysis is interesting but we feel, again, break & a reproach

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