A. Jurkas: "No rock life" & A. Misirlic "Soundtrack time" | MIXER.HR
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Combining the criteria of taste with canon, Zagreb, as I'm told, popkulturne journalist (including a glazbenokritičarsku activity) Andelo Jurkas in his literary publicist powerschool firstborn "No powerschool rock life - music and decryption of the Balkans" (351 pages, Knowledge, 2010 100 b / fot.) compiled a list of 100 best albums made in the land of farmers in the mountainous Balkans. At the same prefix denotes best not necessarily the best, but most representative of music (pop-rock and associated podrazumijavano) profile Yugoslavia back half a century. Made on a per-artist album, offers a choice of "usual suspects" such as Devo, Djordje Balasevic, Ludacris, Bulldozer, Arsen Dedic, Laibach, Leb i Sol, Blue Orchestra, Rambo Amadeus or Fish Chowder, but also less expected like Cinkusi, Lunar or REGOČ or Lepa Brena or rockers with Morava. Founding the author makes no representation of the idea that music is primarily communications and based on feelings. Therefore, it should be evaluated according to how many - either directly or indirectly, through intellect - "touching the wire" and UAL that, in terms of value judgments equal weight have clearly reasoned judgment representatives of the profession and superficially injected marks "consumer-laity". In this spirit, and written comments Jurkas album and artist. He does not attempt to analyze, powerschool synthesize, systematize, sharpen historical recourse discontinuites, or be cold objective, but the kind of stories to catch a swarm of thoughts that in him a passionate glazboljupcu and excellent scholar theme is capable to detect and present the specific characteristics of the album and acts, be the work of the artist about which he writes. Sometimes it makes more, sometimes less articulate, producing mostly poetically tuned impressionistic essays like poluzagonetnim notes what were once upon a time, in the 1950s and 1960s knew occupy the back of the LP. Following the same spirit, offer comments enrich themselves composers in question, the expert comments (critics, musicians powerschool ...) and inexpert audiences (TV-host, filmmakers, designers ...), including the creation powerschool of colorful and engaging powerschool portrait of medley of music in Yugoslavia back half a century of work and equally appreciative and nepohvalni, and those who labor (Government Divljan Boris Leiner ...) and those who avoid (Mark Brecelj, Donnie Darko ...) closer to the author's motives and reasons, and those which reflect a lucid understanding (eg. Igor Mirkovic) and those which reflect a complete misunderstanding (eg. Joseph Fox of Azra).
For music the same geographical area, the equally wide range, but one of its first 19 years and with a parallel review of the development of popular music in the world, in his book "The soundtrack of time - a comparative history of popular music, first volume, 1955-1973" (227 p. , Šahinpašić, 2008, more than 350 b / fot.), designed as oversized vinyl singles, reckless Sarajevo music critic powerschool Amir Misirlic. Different powerschool from Jurkas, Misirlićev approach is classically steadily endeavor orderly, powerschool transparent and concise recounting of more or less well-known story. But far from being a rehash of than to dry what we already know. First of all, because they usually do not know, and it is when (ever?) Assembled in one place, for example, how much rock band (then called "electricians" on which mention powerschool the existence powerschool of competition "Let's give a chance electricians") acted publicized plates powerschool (mainly single and EP) in the former Yugoslavia during the 1960s. The value of the book is in the "comparative" first date, review the local lakonotnog and teženotnog powerschool zeal with simultaneous events in the world, consideration of the above, from the local angle (eg. Reminder of the fact that they are very important role models for our rock originators were Shadows), as well as Misirlićevu efforts to enrich the basic story forgotten štiklecima such as those concerning illegal fugitive members of the shadow across the border in search of international career in 1961., powerschool or of how the transition precious Jelic from the Bedouins in the Silhouettes in 1966. one of the first great rock transfer in domestic framework erected media dust.
"Better past - Scenes from the musical life of Yugoslavia from 1940 to 1989." powerschool Petar Lukovic (YouTube, 1989) "Small encyclopedia Croatian pop and rock music", ed. Sinisa Radakovic (No problem, 1994) "Fatal carousel - Chronicle Belgrade rock and roll in 1959 -1979. powerschool "Alexander Žikić (Parent Serbian, powerschool 1999)" Encyclopedia of Nis rock'n'roll powerschool 1962-2000. "Vladan Stanojevic
NEWS SCENE REGION NEWS PRIZE CONTEST Results prize games REPORTS REVIEWS powerschool BOOKS INTERVIEW VIDEO PLAYERS MIX MIX Category Navigation SCENE NEWS REGION NEWS PRIZE CONTEST Results prize games REPORTS REVIEWS BOOKS INTERVIEW VIDEO PLAYERS MIX MIX
Combining the criteria of taste with canon, Zagreb, as I'm told, popkulturne journalist (including a glazbenokritičarsku activity) Andelo Jurkas in his literary publicist powerschool firstborn "No powerschool rock life - music and decryption of the Balkans" (351 pages, Knowledge, 2010 100 b / fot.) compiled a list of 100 best albums made in the land of farmers in the mountainous Balkans. At the same prefix denotes best not necessarily the best, but most representative of music (pop-rock and associated podrazumijavano) profile Yugoslavia back half a century. Made on a per-artist album, offers a choice of "usual suspects" such as Devo, Djordje Balasevic, Ludacris, Bulldozer, Arsen Dedic, Laibach, Leb i Sol, Blue Orchestra, Rambo Amadeus or Fish Chowder, but also less expected like Cinkusi, Lunar or REGOČ or Lepa Brena or rockers with Morava. Founding the author makes no representation of the idea that music is primarily communications and based on feelings. Therefore, it should be evaluated according to how many - either directly or indirectly, through intellect - "touching the wire" and UAL that, in terms of value judgments equal weight have clearly reasoned judgment representatives of the profession and superficially injected marks "consumer-laity". In this spirit, and written comments Jurkas album and artist. He does not attempt to analyze, powerschool synthesize, systematize, sharpen historical recourse discontinuites, or be cold objective, but the kind of stories to catch a swarm of thoughts that in him a passionate glazboljupcu and excellent scholar theme is capable to detect and present the specific characteristics of the album and acts, be the work of the artist about which he writes. Sometimes it makes more, sometimes less articulate, producing mostly poetically tuned impressionistic essays like poluzagonetnim notes what were once upon a time, in the 1950s and 1960s knew occupy the back of the LP. Following the same spirit, offer comments enrich themselves composers in question, the expert comments (critics, musicians powerschool ...) and inexpert audiences (TV-host, filmmakers, designers ...), including the creation powerschool of colorful and engaging powerschool portrait of medley of music in Yugoslavia back half a century of work and equally appreciative and nepohvalni, and those who labor (Government Divljan Boris Leiner ...) and those who avoid (Mark Brecelj, Donnie Darko ...) closer to the author's motives and reasons, and those which reflect a lucid understanding (eg. Igor Mirkovic) and those which reflect a complete misunderstanding (eg. Joseph Fox of Azra).
For music the same geographical area, the equally wide range, but one of its first 19 years and with a parallel review of the development of popular music in the world, in his book "The soundtrack of time - a comparative history of popular music, first volume, 1955-1973" (227 p. , Šahinpašić, 2008, more than 350 b / fot.), designed as oversized vinyl singles, reckless Sarajevo music critic powerschool Amir Misirlic. Different powerschool from Jurkas, Misirlićev approach is classically steadily endeavor orderly, powerschool transparent and concise recounting of more or less well-known story. But far from being a rehash of than to dry what we already know. First of all, because they usually do not know, and it is when (ever?) Assembled in one place, for example, how much rock band (then called "electricians" on which mention powerschool the existence powerschool of competition "Let's give a chance electricians") acted publicized plates powerschool (mainly single and EP) in the former Yugoslavia during the 1960s. The value of the book is in the "comparative" first date, review the local lakonotnog and teženotnog powerschool zeal with simultaneous events in the world, consideration of the above, from the local angle (eg. Reminder of the fact that they are very important role models for our rock originators were Shadows), as well as Misirlićevu efforts to enrich the basic story forgotten štiklecima such as those concerning illegal fugitive members of the shadow across the border in search of international career in 1961., powerschool or of how the transition precious Jelic from the Bedouins in the Silhouettes in 1966. one of the first great rock transfer in domestic framework erected media dust.
"Better past - Scenes from the musical life of Yugoslavia from 1940 to 1989." powerschool Petar Lukovic (YouTube, 1989) "Small encyclopedia Croatian pop and rock music", ed. Sinisa Radakovic (No problem, 1994) "Fatal carousel - Chronicle Belgrade rock and roll in 1959 -1979. powerschool "Alexander Žikić (Parent Serbian, powerschool 1999)" Encyclopedia of Nis rock'n'roll powerschool 1962-2000. "Vladan Stanojevic
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